The Fun Room
When Eddie Roberts was a child, he witnessed something horrible: the torture and murder of a woman. Now Eddie is all grown up, and the effects of that horrible night manifest themselves as Eddie's uncontrollable desire himself to torture young women. Heather, a local girl from Eddie's childhood for whom he had a crush, has stumbled across his path. Now she is caught in his world of terror and murder, and must try to survive as Eddie tries to destroy her, mind and body.

Unrated. Mature audiences: contains adult themes, crude language, sexuality, nudity, gore, intense violence and depictions of torture.







The Sisters Four
Traci Holmes is plagued by recurring nightmares, the source of which lie hidden in repressed memories of her childhood. Her fiancé, Richard, is determined to find the hidden secret in her past which will free her from the nightmares. Along the way, he uncovers a terrible secret about the orphanage where Traci was raised, and a series of murders of former orphanage residents. Traci may be next.


Review at Rogue Cinema


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Unrated. Mature audiences: contains crude language, explicit sexual activity and graphic violence.

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A Grave Waiting
Rebecca was married to Isaac before her untimely death. Issaac is a good man. He's a good father, but Isaac wasn't very attentive to his wife in terms of affection. She looked to the streets for the touch of a man, and cheated on him one time. Unfortunately, that one time was with a vampire. Now she is back for revenge, and before the night is over, another will join the ranks of the Undead.


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Contains brief nudity and adult content.

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Shorts
A collection of 10 short films by Jim DeVault, including Embarrassing Moment #437, Bigger Than You, Mr. Mannequin's Epiphany, Clocks Without Hands, and Doggie's Daydream.

Contains some nudity and sexual content.

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2:08 A Love Story
In the tradiotion of Buñuel's Un Chein Andalou and L'age D'or, this Jim DeVault film takes a tongue-in-cheek look at the whole surrealist film genre while simultaneously presenting itself as a work of film surrealism itself.


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